Friday, February 8, 2013
Biggest Disappointments of 2012 / Most Anticipated of 2013
Disappointments Of The Year
- Reel Big Fish - Candy Coated Fury
At
first listen, you might think this album is quite good. Once you realize that every song is one
really long chorus repeated about a hundred times, your opinion will
change. I enjoy the hell out of the
opening track ("Everyone Else Is An Asshole") though it drags on a
little too long. But its repetitiveness
is just a taste of what is to come on the rest of the album.
- Pink - The Truth About Love
Pink
went from making a variation on pop music that worked for her - slightly
rebellious (in that manufactured kind of way) and at least partially composed
by her - to this garbage. Yeah, she
still played a part in the songwriting but this is one case where I wouldn't be
too proud of that. She traded in the
rock inklings for dance music and synthesizers.
- Neon Trees - Picture Show
"Everybody
Talks" is one of those songs that when you first hear it on the radio, it
actually breaks through the generic funk that pervades most radio friendly
music. It's catchy and has widespread
appeal. Unfortunately, it's the best
track on their album. The rest of the
songs are horrible blends of overwrought repetition and outright annoying
instrumentation. The lead singer's voice
does not stay consistent and winds up being a primary irritation throughout the
entire full length.
- Anti-Flag - The General Strike
I've
pretty much given up on Anti-Flag at this point. With each new album, I genuinely hope that they
will have reclaimed their former vitriol and intensity. Unfortunately, they have never been able to
recover from their brush with the big leagues and the major labels. These songs sound phoned in. They don't get you pissed off; hell, they
don't even get you excited, which is about the least you would expect out of a
punk rock band.
MOST ANTICIPATED
Look Mexico
We
didn't get it this year, but I am still hopeful that this will see release
soon.
Against Me!
I think
"Gender Dysphoria Blues" should be an intriguing concept album, to
say the least. I am also curious as to
how Laura Jane is going to sound on her first outing since her outing.
Brand New
They
were supposed to have studio time booked in April 2012. Jesse Lacey had this to say, "It’s
funny…I joked a while ago that Brand New was going to make happy music. I mean
I said it on stage one night and every one ran with it. I don’t think we’re
going to write happy music though. We do sad bastard quite well (laughs). But
we want our music to answer questions and the thing is that sometimes those
questions are sad ones. We want to make new music with new answers but
sometimes the questions are still sad ones and sometimes that is just a
reality. Life is about accepting the hard parts like loss, and succeeding in
society."
The Ataris
What is
this, like six years in a row? Get your
shit together, man. How bad is it when
the owner of the record label's only response regarding the status of Graveyard
of the Atlantic is "Sorry, but I don't write the songs."?
Taking Back Sunday
The band
is planning on releasing two live discs from this year's Tell All Your Friends
anniversary tour (which is one of the greatest shows I've ever been to) - one
is an acoustic bootleg and the other is a full band bootleg. After that, the band is planning on recording
new material very soon. They are without
a record label currently and are going to use the two aforementioned live discs
as a test of whether it is viable for them to release their own albums.
Frank Turner
Frank
has already finished recording for his fifth studio album. It was recorded in Burbank, CA in October of
2012 and the mixing/mastering process is expected to be done for a March
release date. Other than that, I know
nothing about the sound. Let's hope it's
a little less England-y than England Keep My Bones.
My Chemical Romance
Having
already released several EP's from Conventional Weapons, the album that was
scrapped prior to Danger Days, I can safely say that I love them. They will be compiling all of those EP's and
releasing them as a box set/full length in 2013. I can only hope that the public response to
how amazing the scrapped songs are is enough to deter the band from making
another terrible album like Danger Days.
Jimmy Eat World
The band
began writing and recording back in the fall of 2011. They entered the studio towards the end of
August 2012 and have now finished recording and mixing. All that's left to be done is mastering. I'm hoping their new tunes sound less like
Invented, of which I was not a fan.
Friday, January 4, 2013
Best EP's and Singles of 2012
As early
as I finished my end of the year list last year, I sure waited until the last
minute to complete this year's. Damn you
real life, full time employment and moving!
For as much music as was released in 2012, this year will forever be the
year of disappointments. There were a
few shining gems but most albums fell short.
There were brief moments of brilliance on each album but the rest of the
tracks left you empty, desperately craving more of the good stuff. As disappointing as it was, it makes for a
good yearly compilation. Just gather all
of the greatest songs and you will have a flawless compilation.
As with
2011, our aural cavities were probed once again by bands risen from the
dead. Hot Water Music released Exister,
their first full length in 8 years.
Further Seems Forever, reunited with original frontman (and Dashboard
crooner) Chris Carrabba, released Penny Black, their first full length with the
original lineup since The Moon Is Down was released in 2001.
First, I
present to you the Best EP's and Singles of 2012 with the Best Full Lengths to
follow later.
06. Cursive - The Sun and Moon/The Cat and Mouse
The Sun
and Moon/The Cat and Mouse EP was rolled out around the same time that
Cursive's full length, I Am Gemini, was released earlier this year. The first two tracks, "The Sun and
Moon" and "The Cat and Mouse" also appear on I Am Gemini but
it's the remaining b-sides on this EP that earn a spot on this list.
"Chemical
Strain" is an angular and groovy track that tackles the consequences of
drug use and abuse and slowly builds into a frenetic and distorted climax. It captures the same musical essence that the
full length possesses without the same esoteric theme and lyrics that were
required of the concept album.
"Supernova
'95" has an instant tie-in with the band's older work, sharing a nearly
identical title with the pre-Cursive band Slowdown Virginia's "Supernova
'75". The music is the usual
discordant Cursive and the lyrics are the spiritual sequel to the b-side
"Ten Percent To The Ten Percent" off of the Hurricane Katrina benefit
compilation, Lagniappe. It should be
noted that the elegance and poetry of Ten Percent's workplace frustration has
been replaced with outright rage and dissatisfaction. As Kasher sings out "Burnt out, Burnt
out / These jobs are fuckin' jokes / Burnt out, Burnt out / The dollar is a
hoax! / What's a degree get me? / Opportunity? / A foot in the door? / The
doors are closed", you have to wonder how a man who has spent over a
decade fronting various bands is so familiar with the daily grind. For the rest of us poor saps, lines like
"You used to dream in color, so American / Reds, and whites, and blues,
but mostly green / 'Til you learned economy is just a Ponzi scheme" just
ring way too true.
Recommended Tracks: "Chemical Strain" and
"Supernova '95"
05. Kevin Devine - Matter of Time: KD&GDB Tour
EP 2012
Tour
EP's always occupy a unique territory in a band's discography. Sometimes a band will simply compile a couple
of their more well known songs and release it in a tour-only format (lame!).
Other times, a band will compile some b-sides that aren't readily
available and may re-record an acoustic or alternate version of an album track (awesome!). The latter is what Kevin Devine did when he
released his 2007 Tour EP. So it was
easy to see why I was excited about this year's Tour EP, with its promise of
re-recording his greatest hits with his backing band, The God Damn Band.
Unfortunately,
the title track (and only new song on the EP) is the only shining gem in an
otherwise disappointing pile of dirt. At
first glance, the track listing leaves you hopeful. It spans his discography from his most recent
effort to old favorites like "Cotton Crush". It even features a sprawling 14+ minute jam
that combines "Buried By the Buzz", "Carnival" and "Another
Bag of Bones", which should have been my first warning. As I have mentioned millions of times before,
the acoustic versions of Kevin's songs almost always triumph the album versions
because they forgo the additional instrumental noise, guitar noodling and
distortion in lieu of raw earnestness and emotion. This EP captures everything that Kevin does
wrong when it comes to the album versions.
The songs meander about, incorporating a ridiculous amount of noise and artifacts from what must have been an interesting jam session.
With all
of that said, the title track "Matter of Time" is incredible. It isn't in the vein of Between The Concrete
& Clouds and instead opts to go the route of an acoustic ballad. Lyrically, it is steeped in a kind of
psuedo-romance that is usually not present in any of Kevin's lyrics. It is nice to hear him sing lines like "But
I’m well-aware that she’s my compass / The strawberry sun, God’s grace and
sweetness" in contrast to his usual less-than-joyful words. Skip the rest of the EP, but relish the fact
that we got this new song out of the deal.
Recommended Tracks: "Matter of Time"
04. Laura Jane Grace - Black Me Out (Nervous
Energies Session)
For
those of you who have been living under a rock, Laura Jane Grace is the new
identity of Against Me! frontperson Tom Gabel. After battling for years with
gender dysphoria, Laura finally gathered up the courage to begin living the way
she always felt on the inside.
This
single wasn't an official release but it deserves a place nonetheless. Nervous Energies invites some of your
favorite indie rock bands to perform a session for them, most of the time
acoustic, which they then put up online.
"Black Me Out" is a song that Against Me! has been kicking
around for over a year now. I don't know
if it will end up on their next full length, Transgender Dysphoria Blues, which
is a concept album about a transgender prostitute, but I am glad to experience
the song now.
The song
is filled to the brim with piss and vinegar as Laura belts out lines like
"I want to piss on the walls of your house / I want to chop those brass
rings off your fat fucking fingers / As if you were a kingmaker / Black me
out". It's such a genuine song that
you forget all about the slick and produced New Wave era Against Me!. This song is already an aggressive beast with
gnashing teeth and claws and it is just one person and a guitar - I can't even imagine how abrasively delicious
it would be if they recorded it with a full band.
Recommended Tracks: "Black Me Out"
03. Person L/Weatherbox Split EP
Person L
is the side-project of former The Starting Line bassist/vocalist Kenny
Vasoli. Weatherbox is the brainchild of
perpetual stoner Brian Warren. The
Person L side of this split is... horrible.
"Ok" is a song that alternates between ethereal vocals and
distorted guitar riffs accompanied by screaming and yet it never finds solid
ground. "Winter Clothes" is
even worse, saturated in a ridiculous amount of distortion and echoed
vocals. Kenny's singing becomes more of
an irritating caterwaul as the song progresses.
Perhaps I am just not a Person L fan but I can't even imagine who this
would appeal to.
Besides,
I was more interested in Weatherbox taking another crack at regaining the
former glory of their debut album, American Art. The songs that have followed since the
original line-up dissolved have been less than stellar, none more so than their
sophomore album, the atrociously bad The Cosmic Drama. With each new release, I cross my fingers and
pray to the music gods that they have finally found their way again. They have showed promise ("Broken
Glowsticks" off of Christpuncher and Follow The Rattle of the Afghan
Guitar) but it has fizzled away before culminating into anything worthwhile.
Thankfully,
this split's offerings ("Kickflips For Weeks" and "Two
Seductresses") seem to recapture a shade of brilliance hidden under the
druggy fog that envelops Brian's brain.
Perhaps it's because he toned back the stoner-friendly instrumentation
and returned to more straight-forward music, but I'm digging the new
songs. "Kickflips For Weeks"
features the same esoteric lyrics that Brian Warren is known for though they
are a lot more relatable this time around.
This first track features some very fun vocal melodies and layered
lines. "Two Seductresses" is
my favorite off of the split. It's a
little more rock and roll with gang vocals and more energy than a hummingbird
sipping Red Bull. I'm beyond glad that
they seem to be moving back in the right direction. The lyrics are less nonsense and the music is
more focused. I might actually buy the
next full length, assuming Brian doesn't insist on a cassette-only release...
again.
Recommended Tracks: “Kickflips For Weeks” and "Two
Seductresses"
02. Frank Turner - I Still Believe (Single)
Despite
being initially released at the end of October 2010, Frank Turner still managed
to find a way to release another single featuring "I Still Believe"
in April of this year. This would be an
easy one to write off... if Frank hadn't selected a cover of a Queen song as
the b-side. The only thing better than a
Queen song is hearing it covered by some of your favorite present day
musicians.
Frank
puts his own spin on "Somebody To Love", a song he's been playing
live for a good while now. It's good to
hear it put on wax finally. This was a
Record Store Day exclusive whose scarcity made it virtually unobtainable. I can't really review a Queen song - if you
know the song, you already know how good it is.
This is just an upbeat, English folk singer's take on it, including a
driving piano riff, a guitar solo and backing vocals provided by the Sleeping
Souls.
It is a
nice slice of his music to hold us over until his new full length is released
in March of 2013. Also keep an eye out
for his new hardcore side project, Möngöl Hörde, featuring his former
bandmate/drummer from Million Dead and one of the guys from his Sleeping Souls
backing band.
Recommended Tracks: "Somebody To Love
(Queen)"
01. Chuck Ragan & the Refugio Kids &
friends
Chuck
Ragan has always seemed like a man of the people and this EP just drives that
perception home. This is not an EP made
for fame or recognition of any sort. It
doesn't even matter if the EP carries Chuck's name. This is music made for the sake of music and
nothing else.
Back in
the Fall of 2010, Chuck visited the refugee children of Refugio e.V. Munich, an
organization that offers shelter to victims of torture, political persecution
and armed conflict that now live in exile in Germany. While visiting, he played a show for the
children at a place called EineWeltHaus, a venue designed for intercultural
discussion and emphasis on art. This was
an exercise designed by the children's therapy group to help them overcome
their "double speechlessness" - that is, their inability to speak the
native language in a foreign country and the inability to even describe the
traumas that they have experienced. Chuck's
price of admission for the show? He
asked attendees to donate musical instruments to the refugio kids.
A year
later, Chuck followed his heart and returned to the same place to make music
with the children. He recorded four
songs with them, as the original press release says (translated from German),
"a meeting that initially opposites might be: Chuck Ragan's rough raspy
voice hits the four songs the fragile background choir of children, who for the
first time in their lives English songs sung in a studio atmosphere - a warm,
authentic snapshot, in charity, respect, and the connecting power of music in
the forefront." And I really
couldn't put it any better than that.
It's amazing to listen to this collaboration of children living in exile
and our road-weary troubadour.
Recommended Tracks: “Come Around” and “Bedroll
Lullaby”
Subscribe to:
Posts (Atom)





